All the oil paintings of Dyck, Anthony van

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ID	Image	Painting(From A to Z)	Details
19012		Apostle Jude	1619-21 Art History Museum, Vienna
85367		Caesar Alexander Scaglia	1634(1634) Medium Oil on canvas Dimensions 189 x 110 cm (74.4 x 43.3 in) cyf
23994		Charles Iwith Monsieur de St Antoine (mk25)	1633
23995		Cupid and Psyche (mk25)	1639-40
51724		Detail of the Rest on the Flight into Egypt	nn09 c.1630 Oil on canvas 215x285.5cm
19014		Family Portrait	1621 oil on canvas The Hermitage, St. Petersburg
77701		Gastons de Bourbon	Date 1634(1634) Medium Deutsch: Öl auf Leinwand English: oil on canvas Français : huile sur toile cyf
19021		Genoese Noblewoman with her Son	1626 oil on canvas National Gallery of Art, Washington D.C.
19009		Head of a Robber	1617-1618 oil on canvas Art History Museum, Vienna
85341		James Hay	oil on canvas 204.5 x 126 cm Date c. 1638 cyf
19017		Lucas van Uffelen	1622 oil on canvas Herzog-Anton-Ulrich-Museum, Braunchweig
19019		Marchesa Cattaneo with a Servant	1623 oil on canvas National Gallery of Art, Washington D.C.
80729		Mary Stewart	ca. 1636(1636) Medium Oil cyf
77364		mit Zwerg Sir Jeffrey Hudson	1633(1633) Medium Oil on canvas Dimensions Deutsch: 220 ?? 135 cm cyf
19020		Nicholas Lanier	1628 oil on canvas Art History Museum, Vienna
41330		Portrait of James Stuart,Duke of Richmond and Fourth Duke of Lennox	mk161 oil on canvas
97204		Portrait of Maria Luiza Panasco	circa 1843(1843) Medium oil on canvas Dimensions 81.6 X 65.2 cm cyf
41193		Portrait of one Mr.Brignole	mk157 1621-25 Oil on canvas 205x125cm
78636		Portrait of Venetia, Lady Digby	1633-1634 Medium Oil on canvas Dimensions 101.1 x 80.2 cm (39.8 x 31.6 in) cyf
79633		Portrat der Elisabeth oder Theresia Shirley in orientalischer Kleidung	1622(1622) Medium Oil on canvas cyf
79219		Portrat der Marchesa Balbi	ca. 1625(1625) Medium Oil on canvas Dimensions 183 x 122 cm (72 x 48 in) cyf
82751		Portrat Karl des I	1635-1636 Medium Oil on canvas Dimensions 85 x 100 cm cyf
83658		Probably portrait of James II	Oil on panel Öl auf Holz Dimensions 31 x 26 cm (12.2 x 10.2 in) cyf
82825		Selbstportrat als Paris	1628 Medium Oil on canvas Dimensions 96 x 84 cm (37.8 x 33.1 in) cyf
19018		Self-Portrait	Approx. 1622 oil on canvas The Hermitage, St. Petersburg
19013		Susanna Fourment and her Daughter	1620-21 oil on canvas National Gallery of Art, Washington D.C.
24268		The Five Eldest Children of Charles I (mk25)	1637
19015		The Genoese Senator	1621-23 oil on canvas Gemäldegalerie, Berlin
19016		The Genoese Senator's Wife	1621-23 oil on canvas Gemäldegalerie, Berlin
24251		The Greate Peece (mk25	1632
19011		The Lamentation	1618-20 oil on canvas Art History Museum, Vienna
19008		The Penitent Apostle Peter	1617-18 oil on panel The Hermitage, St. Petersburg
24266		The Three Eldest Children of Charles I (mk25)	1635
23996		Thomas Killigrew and William (mk25)	Lord Crofts 1638
19010		Young Woman with a Child	1618 oil on panel The Hermitage, St. Petersburg

Dyck, Anthony van
Flemish Baroque Era Painter, 1599-1641 Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck's studies in oil of characterful heads were included in Rubens's estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses,